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Doctah B Sirius

Doctah B Sirius is a leading mind, body and spirit medicine man, master herbalist, natural remedy and healing pioneer, and wellness educator. He is a widely respected healer with ever-growing followers, who trust him with their physical and mental well being. His mission is to create more harmony on the planet by transforming lives, one person at a time.

Born into a long line of healers, counselors, and teachers with roots in ancient America, Africa and India, Doctah B continues this long family tradition entrenched in natural healing and higher consciousness. Combining herbs and his own natural remedies with several techniques and modalities, he empowers individuals to heal physically, mentally, and spiritually, while guiding them to regain and maintain their overall health and mental wellness.

As a naturalist and prominent master herbalist, Doctah B has an intimate connection with thousands of medicinal herbs, plant derivatives, and natural elements. He specializes in the eradication of systemic parasites and toxins from the body. He developed the revolutionary Total Body Paracleanse Program that induces transformation on every level by systematically eradicating parasites, detoxifying on a cellular level, and releasing mental congestion, while restoring the body’s natural energetic frequency. This natural herbal and elemental detoxification program has rejuvenated countless individuals around the world and those who have experienced it, deemed it among the very best. He understands and continually educates on how parasites, toxins, and deficiencies, along with mental imbalances are the root cause of disease. Hence, balancing the total body from the inside out is paramount.

Another form of Doctah B’s healing medicine is the gift of music. He channels what he refers to as “Medicine Music” for the soul, as a tool for healing, chakra balancing, and meditation. These keys to one’s inner sanctum consist of healing frequencies that use cosmic resonance to help balance the hemispheres of the brain, elevate states of consciousness, release stress and create an environment conducive to healing.

Doctah B’s Website:  www.elevationtime.com

Phone #: 323-931-1212

Recommended Books: Murder by Injection by Eustace Mullins, Confessions of a Medical Heretic by Mendelsohn, How to Eat to Live by Elijah Muhammad, A History of Food by Treager, The Physicians Desk Reference for Herbs (PDR), The Science of Food, Alchemist

Recommended Movies: 3 the hard way, They Live, Water for chocolate

Vibration and Parasites:  Dr. Royal Rife

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5 Responses to “Doctah B Sirius Radio Interview May 10th, 2013”

  1. Cornell Dayne says:

    Just when you thought that Doctah B couldn’t go any deeper…. BAM! Great job, Lenon!

  2. Lindsay Raubenheimer says:

    LOL the pressure cooker was brilliant! had me laughing almost in tears….

  3. Mikkel Mann says:

    I wish he would have elaborated on the 440hz music problem. In England 440hz was established as the “concert pitch” at a conference in London in 1939, a decade or so later it was internationally accepted (conspiracy theorists on the Internet claim that Nazis scientists were involved, but I doubt that to be more than a online urban myth), interestingly though, I have found the following account of likely origin of the 440hz standard:

    “[…] The B.B.C. began to broadcast the A=440 Hz tuning note, which, for the sake
    of accuracy was produced electronically:

    The B.B.C. tuning-note is derived from an oscillator controlled by a piezo-electric crystal
    that vibrates with a frequency of one million Hz. This is reduced to a frequency of 1,000
    Hz by electronic dividers; it is then multiplied eleven times and divided by twenty-five, so
    producing the required frequency of 440 Hz. As 439 Hz is a prime number a frequency of
    439 Hz could not be broadcast by such means as this.

    It is not clear from Lloyd’s paper whether the B.B.C. method of generating the signal was a
    consideration in the choice 440 Hz rather than 439 Hz. Lloyd also mentions that, B.B.C. orchestras were
    then required to tune their instruments to the B.B.C. tone-generator (and other ensembles were urged to
    use a tuning fork rather than the unstable oboe) ”
    [source: http://www.wam.hr/sadrzaj/us/Cavanagh_440Hz.pdf%5D

    Well, one can do the math (1000 * 11 / 25 = 440). Reading the history of the various concert pitches used throughout Europe before the standardization, it seems that the current world wide standard was chosen as a compromise between musicians’ preference in register and the technicians’ preference in mathematical simplicity.

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